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EVA BRANDL
Birds of Prey
They own the night/
They own the day
Eva Brandl’s intent, to arouse a
mnemonic experience of space, has succeeded for me.
I am standing in the doorway
assessing the contents inside the exhibition hall. A combination of sounds, digital
prints and sculptural objects fill the space. My first phenomenological
reaction to the installation is that of a long ago buried memory of being in a
fabric store with my mother as a child.
The intent of my presence there
was to find a work I could describe in detail but it didn’t quite work out that
way. I was involved with the total content as one piece. I zeroed in on a work
entitled Curtain Wall. It is a sculptural object that looks like rows of
fabric, as you would find them in a fabric store. The piece is composed of
cardboard tubes held up by tripods and covered with chamois leather.
I go deeper inside the memory
being evoked. I can almost see my mother hovering over the fabrics she desired,
touching them, evaluating her budget, imagining what she would conjure up with
it, where her creation would be in her universe: a dress at a social event, a
curtain in her kitchen, chairs covered to look new again? As a child, I was
bored and exasperated waiting after her so I could be taken out of this heavy
obsolete place.
The exhibition is accompanied by
huge digital prints of taxidermy birds of prey with eyes firmly set upon their
kill. Of course they are looking right at you as you move in the
space. I was still in the fabric store with my mother so for me they became
curtains, couches, and bedspreads.
I listened to the howl sounds as I
stood between two cones a large stunned bird looking at me. But I felt the
deadness of the animal. These are taxidermy animals, the hoots are a recording,
I am bemused that memories from my childhood resurface to consciousness like
ancient artifacts in the desert because of the juxtaposition of the objects.
-LENA GHIO
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