Sunday, April 14, 2019

HOW TO MASTER THE STARS • I Am Homo Mag Astrum • the MANIFESTO

The Art Challenge I launched is structured on the exciting conjunction of Sun, Jupiter and Mercury in Sagittarius that occurred last fall. This was the first drawing I did for the Art Challenge. I enhanced it on April 10 and 11 2019. The Sabian Symbol of Sun Conjunct Jupiter in Sagittarius of that day is  A Little Child Learning To Walk. That is pretty much what all who participated to this ongoing challenge are doing: we are learning something that will be useful for the rest of our lives. In plain pencil drawing I put on paper a design of the forces I believe we could access to heal our planet.  © Lena Ghio, 2019
FRANÇAIS app de traduction à gauche

• A VERY SUCCINCT RECAP

This drawing was the first one
I did for thelast Art Challenge.
I sketched it when the Sun was
exactly conjunct the Sun of the 
Jupiter Effect when I had erected
my wish pyramid March 10 1982.
I am putting down on paper all I
have learned since then. I want to
synthesize what I have done in
1982 and where I am at today.
© Lena Ghio, 2019. 

In March 1982 the media was abuzz about a prediction made by two scientists that a rare planetary alignment would bring catastrophes to Earth like earthquakes, tornadoes and more. It was called The Jupiter Effect. Their hypothesis was that a rare alignment of planets would affect the Sun magnetic field creating solar wind that would in turn affect our planet's atmosphere. At the precise moment of the exact alignment predicted by the two scientist-authors, John Gribbin and Stephen Plagemann, I built a tiny cardboard wish pyramid in which I put the wish I wrote on a tiny piece of paper. It was an outline of my artistic dream to create the most excellent all encompassing art in the universe. I was an art student at Concordia University then.


I am recalling the Jupiter 
Effect, the small pyramid,
and the symbols that became
so important to me.
 © Lena Ghio, 2019 

On March 10 1982, the date that was focused on in the original book The Jupiter Effect, there were no large scale events that shattered the Earth. On that same day, I built a wish pyramid and enshrined my desire in it. Weeks later the only thing I observed was a change in the lines in the palm of my right hand. Suddenly I could make out a large pentagram that synthesized many mounts and lines into the five pointed star symbol. The question that obsessed me from that moment on was: Why is something so monumental as a massive alignment of planets all in a row affecting only a few cells that form lines on the palms of my hand?









• MY ART PRACTICE 

Still on March 10 2019,
I draw out my practice; I built
OMIs; I produced Phenomene
Art
events; I wrote popular
science articles on this blog
to attach what I was observing
to the scientific discussion of
our time; I did experiments
with plants and clouds; I did
Emerge Art. I wonder how
what I have done corresponds
to my 1982 wish?
© Lena Ghio, 2019 

Today I understand that I am an outsider artist. I do not fit in any way the current standard. I never liked being standard. The category my art fits in the best is transdisciplinary art although what I document is not accepted either, at this time, by the scientific community. I understand WHY the scientists who wrote The Jupiter Effect's prediction failed. Gravitational Waves were just an hypothesis at that time. Today we have proof they exist. The two astrophysicists were oblivious to the first thing they learned about the Big Bang, that immediately after it gravity got busy separating space and creating molecules, compounds and elements that began to spin! Therefore they could not comprehend the time factor for the unfolding of their prediction. It is the time of celestial mechanics, not time measured by the speed of light. Certainly today the climate on our planet fits closely enough to the conditions they had foreseen for the Jupiter Effect. For me, their work, my wish pyramid and the lines of my hand changing gave me the impetus to learn HOW TO MASTER THE STARS.

I have been doing this since the Jupiter Effect and now consider myself to be Homo Mag Astrum, a human who masters the stars, as opposed to Homo Sapiens, a human who gathers knowledge and develops technology. My art practice is the way my totality deals with the impact of this evolutionary metamorphosis from Homo Sapiens to Homo Mag Astrum.


• I AM HOMO MAG ASTRUM


After all these years, what I
got is my logo: Spirit, Man,
Nature and Time.
© Lena Ghio, 2019
I have been working on this concept for decades now. So who is Homo Mag Astrum?
I have outlined how the Jupiter Effect impacted the direction of my life. I was not alone on Earth when the celestial event occurred. All those who were alive that day were affected by the Gravitational Modulations of the powerful planetary alignment. From my perspective, it is what I paid attention to because I took a creative action on that day that compelled me to notice the link between celestial mechanics and evolution, natural phenomena, and the shape of things such as clouds and plants.

I researched so many areas where astrological calculations were implemented by extraordinary civilizations to structure their world from the edifices they built, to social roles they assumed to agriculture! As a matter of fact we are the first global civilization that is totally disconnected from nature and worst many of my contemporaries are proud of that crazy fact!!!!

Homo Mag Astrum combines all the knowledge and technological savvy of our generation PLUS lives totally integrated to the rhythms of nature! Perhaps the others are alone like me for now, but our number is growing. Homo Mag Astrum is a child of the universe and of his decision to evolve from Homo Sapiens  and take a Big Bang leap of evolution!

On March 11 2019 I started drawing early as I wanted to create an Emerge Art in the afternoon when the light is just right. On the image on the left, I dressed my avatar in a "suit" as I again tried to imagine the incarnation of me as Homo Mag Astrum. All this mastery oozing out of me as I walk about generating and sharing good vibrations. The center drawing considers the energy body operating the same movements as the previous drawing. Then, on the right,  my avatar tries to compress all the drawings of this episode of drawings  into usable information. © Lena Ghio, 2019
I AM HOMO MAG ASTRUM © Lena Ghio, 2019 
My final drawing (above) before setting up the Emerge Art pleased me enormously. I took my time and again the theme was synthesis between myself, my inner world and nature.

I took more than 100 photos of my installation on March 11 2019 but this is the bomb! I use that term to signify an Emerge Art where the combined effects of water, light and glass jump to create an impossible image. The previous combination of elements reacts to its environment, reacts to art. BE MINDFUL OF THIS when you think the world out there is just a rock. That is a view of contemporary ignorance. The world is alive and vibrant and sensitive. It sees and hears you and reacts to you.
Country Gentleman © Lena Ghio, 2019

The above collage illustrates perfectly what the Emerge Art Country Gentleman on top means to me.
The man in the center of the bowl is having a Eureka moment, or a Aha Moment. I found the image on the right here: https://www.cnn.com/2015/11/02/business/tell-us-your-eureka-moment/index.html
In the center, the style of the Country Gentleman. He looks like he is wearing the fashion gentlemen wore in the 17th century. I found this delicious image here: http://17emesiecle.free.fr/Mode.php
Finally, I had to look up the science of that time. The illustration from the Wikipedia article illustrates how that epoch was thinking about gravity, the motion of the planets and alignment geometries of celestial mechanics. Sir Isaac Newton had just devised his law of universal gravitation, science was young! This was also the time science divorced from astrology. Scientists who never disproved astrology, simply because they do not know how to prove or disprove the thing, decided it was a pseudoscience when in reality it was the foundation of many sciences.

I want you to see with the included Emerge Art Country Gentleman that nature responds to art. Nature has a soul and we must not forget the Spirit of nature as we fight to save our planet from humanity's abuse.

The next alignment that is exciting to capture with art comes on the New Moon in Taurus of May 4 2019 and will last until May 7 2019. See astro.com for the exact time in your region. The Sun will form a Biquintile with Jupiter, the planet we have been cultivating with this challenge to heal our planet. The Biquintile is the alignment geometry supporting the will of man. It allows us to apply our will power in an effective manner. 

For background info on the Art Challenge go here: https://thelenaghioparadox.blogspot.com/2019/03/how-to-master-stars-healing-nature.html


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Sunday, April 7, 2019

UN AMOUR IMPOSSIBLE


BANDE ANNONCE 
Le livre Un Amour Impossible de Christine Angot est transformé en scénario avec la participation de Catherine Corsini, qui sera aussi réalisatrice du film, et de Laurette Polmanss.

L'histoire se déroule un peu plus de dix ans après la Seconde Guerre mondiale entre les préjugés archaïques de l'Europe et les multiples évolutions que nous avons connues depuis

Les premières scènes nous rappellent que dans ces années-là encore une femme de 25 ans était considérée comme une vieille fille qui n'est même plus désirée pour le mariage. C'est justement la fête de Rachel, Virginie Efira, qui maintenant  coiffe Sainte Catherine, la Sainte Catherine étant la fête de vieilles filles. Lors d'une sortie entre amies elle rencontre le séduisant Philippe, Niels Schneider, un narcissiste qui la manipule dès le début jusqu'à la féconder le dernier soir qu'ils passent ensemble.

Rachel se rend bientôt compte qu'elle est enceinte et que jamais Philippe ne l'épousera jamais et qu'il ne veut pas reconnaître que la petite fille est sienne.

On voit grandir Chantal; interprétée par Estelle Lescure adolescente et Jehnny Beth adulte; qui vit des traumatismes extraordinaires alors que Rachel est meurtrie et démunie face aux tourments de sa fille. 

Le film se déroule dans un beau paysage où on voit les fleurs poussent et on entend le chant des oiseaux alors que les deux femmes confrontent la vie, l'amour et le passage du temps. 

• La fin vaut tout le temps qu'on investit dans ce film de 2 heures et quelques minutes. La mère et la fille se retrouvent enfin et confrontent ensemble, comme toujours, la vérité de qui a été Philippe pour elles.

Maintenant à l'affiche!  BON VISIONNEMENT!






Friday, April 5, 2019

Jerry Saltz in Montreal

Jerry Saltz speaking @ Théâtre Outremont April 3 2019
Photo © Lena Ghio, 2019 

FRANÇAIS app de traduction à gauche

Last Wednesday was a cool windy day in Montreal. My friends and I gathered at Théâtre Outremont to assist to the Artspeak presentation of Art First; All Else Follows A talk by Jerry Saltz. We were so excited and everyone in the theatre was smiling in anticipation. I follow Jerry Saltz on Twitter, @jerrysaltz, and I often like his posts or add a reply to them. I always found his comprehension of current events and, although we work in different cities, his assessment of life in the arts spot on. 

He steps on the stage with only highlights of what he wishes to talk about and no prepared text. He then proceeds to talk about art, the art world, artists, dealers, collectors with fluid accuracy, humor and realism. He brings us down to the current facts of what it means to be an artist today. The landscape has changed in such a way that the art world is overflowing with people producing art trying to earn a living and perhaps also dreaming of wealth and glory. The truth is very few will attain the latter so what do you do? He underlined the fact that in Montreal, compared to many big cities in the world,  real estate is comparatively cheap. If the climate continues to become warmer Montreal will still be comfortably cool in comparison to the US.

The most important thing he said was the bottom line about artists: they may never get rich but they are likely to keep doing our art. His recommendations: form gangs of artist to work with into the night and work work work!

LINKS OF INTEREST:

http://artspeaks.ca/en/
Jerry Saltz wins Pulitzer https://www.pulitzer.org/winners/jerry-saltz-new-york-magazine 
Jerry Saltz gets a book deal https://www.vulture.com/2019/03/jerry-saltz-how-to-be-an-artist-book.html
Jerry Saltz 2018 tips for artist https://news.artnet.com/opinion/jerry-saltz-advice-artists-frieze-1279226
How to be an artists by Jerry Saltz 
BIO Jerry Saltz is the senior art critic at New York Magazine and its entertainment site Vulture.com, a leading voice in the art world at large, and an innovative user of social media. He joined the magazine’s staff in 2007, and his writing ranges from cover stories to reviews to quick online commentaries. He won a National Magazine Award for Columns & Commentary in 2015, and was a finalist for the same award in 2011.
Saltz was previously the senior art critic at the Village Voice since 1998, where he was twice a finalist for the Pulitzer Prize in criticism (in 2001 and 2006) and was the recipient of the 2007 Frank Jewett Mather Award in Art Criticism from the College Art Association. A frequent guest lecturer at major universities and museums, Saltz was also the sole adviser on the 1995 Whitney Biennial. Saltz has written for Frieze, Modern Painters, Parkett, Art in America, Time Out New York, Flash Art, Arts magazine, and many others. His Village Voice columns were compiled into a book Seeing Out Loud: The Village Voice Art Columns, 1998-2003 (Figures Press). A second volume of his criticism, Seeing Out Louder, was published by Hardpress Editions.  New York Magazine Archives

-LENA GHIO