Wednesday, July 17, 2024

TWISTERS

TRAILER

TWISTERS has been rated PG-13 (Parents Strongly Cautioned – Some Material May Be Inappropriate for Children Under 13) for intense action and peril, some language and injury images.

In the heart-stopping revival of the disaster epic genre, "TWISTERS" emerges as a relentless whirlwind of adrenaline and human drama, directed by the masterful Lee Isaac Chung. A follow-up to the iconic 1996 blockbuster, this film plunges audiences into the turbulent world of storm chasing with a fresh ensemble cast and cutting-edge technology.

At the helm are Daisy Edgar-Jones as Kate Cooper and Glen Powell as Tyler Owens, two polar opposites bound by their obsession with tornadoes. Edgar-Jones delivers a poignant portrayal of Kate, haunted by past trauma yet driven by a scientific mission to predict these unpredictable forces. Powell, on the other hand, brings charisma and risk-taking bravado to Tyler, whose social-media stardom thrives on daring encounters with nature's fiercest tempests.

Under Chung's direction, the Oklahoma plains become a character in themselves, a canvas where the clash between human ambition and natural fury unfolds with jaw-dropping intensity. From towering funnels tearing through landscapes to the emotional turmoil within the characters, every frame pulses with the raw energy and beauty of these awe-inspiring storms.

The supporting cast is a powerhouse ensemble, with Anthony Ramos as Kate's steadfast friend Javi, Maura Tierney adding gravitas as a seasoned meteorologist, and a diverse array of talents including Brandon Perea, Sasha Lane, Daryl McCormack, Kiernan Shipka, and Nik Dodani, each contributing uniquely to the film's rich tapestry.

Mark L. Smith's screenplay, known for its depth and nuance in "The Revenant," imbues "TWISTERS" with a narrative that balances heart-stopping action with poignant human stories. The stakes are sky-high as the teams navigate unprecedented storm systems converging over central Oklahoma, pushing the boundaries of science and bravery in their quest to understand and perhaps harness the destructive power of tornadoes.

Behind the scenes, the pedigree is unmistakable, with producers Frank Marshall and Patrick Crowley (renowned for their work on franchises like "Jurassic" and "Indiana Jones") ensuring every scene crackles with authenticity and spectacle. The result is a film that not only honors its predecessor but propels the disaster epic genre into bold new territory.

"TWISTERS" isn't merely a summer blockbuster; it's a visceral cinematic experience that grips you from the first frame and doesn't let go until the final, breathless moment. Chung's direction, coupled with a stellar cast and a story that balances spectacle with heart, makes "TWISTERS" a must-watch for anyone craving the rush of big-screen adventure. As the storms rage and humanity stands defiant, this film reminds us of both the fragility of our world and the indomitable spirit that dares to challenge it.

TWISTERS – IN THEATRES JULY 19 

Official Site | Facebook | X | Instagram | TikTok | YouTube | #TWISTERS 

 LENA GHIO   

Wednesday, July 10, 2024

BOLÉRO

 

Bande Annonce / archives

ENGLISH translation app left / subtitles available

BOLERO  est une exploration captivante de la vie tumultueuse et créative du célèbre compositeur français Maurice Ravel interprété avec délicatesse par Raphaël Personnaz. Le film s'ouvre sur une série de variations du Boléro de Ravel, une pièce emblématique qui résonne à travers les décennies. Dès les premières images, le spectateur est plongé dans l'univers complexe de Ravel, où les ambitions artistiques et les luttes personnelles se croisent de manière poignante.

L'intrigue débute avec Ravel jeune, alors qu'il échoue à obtenir le prestigieux prix de Rome, un événement qui met en lumière ses premiers défis dans le monde de la musique. Quelques années plus tard, il est sollicité par Ida Rubinstein, interprétée par Jeanne Balibar, une figure charismatique du ballet, pour composer une œuvre pour son prochain spectacle. Cependant, Ravel peine à trouver l'inspiration, dépeint de manière subtile à travers ses doutes et ses périodes de stagnation créative.

Le récit est enrichi par des flash-backs poignants de la Première Guerre mondiale, où Ravel fait la rencontre de Misia Sert, interprétée par Doria Tillier, une muse et amie proche, dont il est profondément épris. Ces moments révèlent les tourments personnels du compositeur, ainsi que son dévouement inébranlable à son art malgré les difficultés et les revers.

La réalisatrice parvient à capturer brillamment l'essence de Ravel, non seulement en tant que génie musical, mais aussi en tant qu'homme complexe confronté à des défis intérieurs et extérieurs. La tournée américaine de Ravel est également explorée, offrant un contraste fascinant entre son succès international croissant et ses luttes personnelles et de santé, qui deviennent de plus en plus présentes.a

La construction narrative habilement tissée culmine avec la création du Boléro, une composition qui deviendra emblématique et universellement reconnue. La scène finale, où le film nous rappelle que le Boléro est joué quelque part dans le monde toutes les quinze minutes, souligne l'impact durable et l'immortalité de l'œuvre de Ravel.

En conclusion, BOLERO  est bien plus qu'un simple biopic musical ; c'est un voyage émotionnel et intellectuel à travers la vie d'un artiste exceptionnel. Le film réussit à honorer l'héritage de Ravel tout en explorant les nuances et les défis qui ont façonné son parcours créatif. Une œuvre cinématographique enrichissante qui ravira les amateurs de musique classique et les passionnés d'histoires humaines universelles.

BOLERO  Réalisé par Anne Fontaine Avec Raphaël Personnaz, Doria Tillier et Jeanne Balibar  AU CINÉMA LE 19 JUILLET

 LENA GHIO   


NOS BELLES-SOEURS au cinéma

Bande-Annonce

ENGLISH translation app left

Je suis si excitée de retrouver Les Belles Soeurs de Michel Tremblay sur le grand écran revampé par le talent irrépressible de René Richard Cyr! Dans cette adaptation cinématographique tant attendue, Cyr transcende brillamment l'univers dramatique des personnages emblématiques de Tremblay en les plongeant dans une fresque visuelle et émotionnelle captivante.

Un caméo adorable avec Denise Filiatrault et
Michel Tremblay

René Richard Cyr
a entrepris avec audace l'adaptation cinématographique de la version musicale des Belles-sœurs, initialement créée en 2010 avec Daniel Bélanger, à partir de la pièce emblématique de Michel Tremblay mise en scène par André Brassard en 1968. Conscient des défis et des sacrifices nécessaires pour cette nouvelle vision, le metteur en scène a opté pour une approche résolument nouvelle. Il a ainsi choisi de revisiter l'œuvre en repartant à zéro, faisant le choix délibéré de sacrifier certaines scènes et personnages présents dans la mouture de 2010.

Une distribution de comédiennes que j'adore: Genevieve Schmidt,  Guylaine Tremblay, Anne-Élizabeth Bossé,  Debbie Lynch-WhiteVéronic DiCaireValérie BlaisPierrette RobitailleDiane LavalléeAriane Moffatt et Jeanne Bellefeuille.

Au coeur du récit, Germaine Lauzon, interprétée avec brio par Genevieve Schmidt , gagne 1 million de timbres qui sont une monnaie de substitution pour des cadeaux mirifiques. Une tradition qui a disparu depuis belle lurette. Elle invite ses copines du BINGO mensuel à venir l'aider à remplir ses cahiers de timbres. S'en suit des révélations troublantes sur la condition humaine et la nature humaine. La force du film se situe dans les performances justes de la distribution.

Le génie de Michel Tremblay rayonne dans ces portraits de femmes vivant au coeur de Montréal durant les années 60. Le ludique s'allie à l'intime alors qu'on découvre les difficultés du quotidien de ces femmes, parsemé de numéros musicaux pleins de couleurs.

Un film d'une durée de 1 h 42 au cinéma dès le 11 Juillet.


Saturday, July 6, 2024

« PREMIÈRE AFFAIRE » Réalisé par Victoria Musiedlak au cinéma maintenant

 

Bande Annonce

Dans son premier long métrage captivant, "Première Affaire", la réalisatrice française Victoria Musiedlak plonge le spectateur dans l'univers impitoyable d'une jeune avocate fraîchement diplômée, Nora, interprétée brillamment par Noée Abita. À travers le parcours tumultueux de Nora, depuis sa première garde à vue jusqu'au suivi de l’instruction d'une affaire pénale délicate, le film explore avec une intensité croissante la dualité entre la vie professionnelle et personnelle de son protagoniste.

Dès le début, Musiedlak saisit habilement l'ambiance fébrile des tribunaux et le stress constant qui accompagne le métier d'avocat pénaliste. Nora, pleine d'ambition et d'idéaux, se retrouve confrontée à la brutalité du système judiciaire ainsi qu'à ses propres limites émotionnelles et éthiques. Noée Abita incarne avec une justesse poignante cette jeune femme déterminée mais vulnérable, naviguant à travers des eaux troubles où chaque décision pourrait changer le destin d'un accusé.

Le casting est un véritable point fort du film, avec des performances remarquables de tous les acteurs. Anders Danielsen Lie apporte une présence subtile en tant que mentor de Nora, offrant une profondeur émotionnelle à leur relation complexe. Alexis Neises, dans un rôle particulièrement exigeant pour son jeune âge, livre une performance mémorable qui témoigne de son talent prometteur. François Morel apporte également sa touche dans un rôle de juge expérimenté, apportant une dose de réalisme au récit.

Ce qui distingue "Première Affaire" au-delà de ses performances captivantes est la façon dont Musiedlak explore les thèmes universels de la justice, de la morale et de l'intégrité à travers le prisme personnel de Nora. Le récit ne se contente pas de dépeindre les rouages techniques du métier d'avocat, mais plonge également dans les dilemmes moraux auxquels Nora est confrontée alors qu'elle questionne ses propres choix et idéaux.

Victoria Musiedlak signe ici un premier long métrage impressionnant, maîtrisé et émotionnellement intense, qui révèle une cinéaste à l'œuvre passionnante. Son exploration audacieuse du monde judiciaire, souvent sous-représenté au cinéma, et sa capacité à capturer la complexité humaine font de "Première Affaire" un film à ne pas manquer. Pour les amateurs de cinéma français contemporain, Musiedlak mérite certainement d'être suivie de près pour ses futurs projets prometteurs.

 LENA GHIO   

MONTRÉAL COMPLÈTEMENT CIRQUE < 14.07.2024

Gandini Juggling in Smashed 2

FRANÇAIS app de traduction à gauche

Held on July 3rd and 4th, the dazzling opening shows of MONTRÉAL COMPLÈTEMENT CIRQUE, one of Montreal's most extravagant festivals that features circus troupes from around the world, defied our senses. First, there was Smashed 2 at TOHU.

Since 1992, Gandini Juggling, led by Sean Gandini and Kati Ylä-Hokkala, has pushed juggling's boundaries, making it a vibrant art form for the modern age. "Smashed 2" is a new version of their successful Smashed show. It presents a delightful twist on the classic tale of forbidden fruit, woven into the fabric of modern relationships. This innovative show by Gandini Juggling blends traditional circus artistry with contemporary flair, starring a troupe of exceptionally skilled performers and a mesmerizing ensemble of 100 apples.

The performance is a witty exploration of the dynamics between men and women, cleverly juxtaposing the narrative of 'Adam and Eve' with the artful chaos of juggling. Each orange becomes a symbol, a catalyst for humor and reflection on human connections. Through impeccable timing and choreography, Gandini Juggling transforms what could be a simple act into a profound commentary on relationships.

This is not just entertainment; it's a family affair of laughter and wonder, where the boundaries of physical skill and storytelling blur. The performers demonstrate their mastery with every toss and catch, creating a visual feast that captivates and uplifts. "Smashed 2" is a testament to the creativity and innovation in the world of juggling, showcasing the endless possibilities when talent meets imagination.

You can enjoy this show until July 7 INFO

Sophie's Surprise 29th birthday party hosted by Three Legged Race Productions is an exhilarating and unforgettable experience. This immersive circus cabaret, featuring London's most dynamic artists, invites guests into a world where circus, comedy, and chaos converge under the big top. IT IS SO MUCH FUN!!!!

The company's origin story adds a quirky charm to the event. Founded by Katharine Arnold, Isis Clegg-Vinell, and Nathan Price out of practical necessity (thanks to Companies House requirements and their trio setup), Three Legged Race Productions launched with a bang. Their debut show, Sophie’s Surprise 29th, debuted in London and quickly earned a headline slot at the prestigious Edinburgh Fringe Festival the following year.

The pedigree of Three Legged Race Productions is impressive and diverse, with its founders bringing over a decade of experience from both renowned stages like Cirque du Soleil's global platforms to the gritty yet beloved basements of Piccadilly Circus. This background promises a show where innovation meets experience, where the unconventional thrives, and where every trick, joke, and spectacle is expertly curated to push boundaries and entertain.  Attendees can anticipate an evening filled with jaw-dropping circus feats, a pumping soundtrack that keeps the energy high, and an atmosphere charged with laughter and excitement. With Three Legged Race Productions at the helm, there's a commitment to delivering not just a show, but an experience that leaves an indelible mark on everyone lucky enough to step under their imaginative big top.

Sophie's Surprise 29th promises to be more than just a birthday celebration—it's a testament to creativity, craftsmanship, and the sheer joy of live performance.

DO NOT MISS THIS SHOW on until July 14 !!! INFO 



 

"GÉANTE!" is an ambitious creation by Les 7 Doigts de la Main, under the visionary direction of Gypsy Snider, promises to be a celebration of feminine power and youthful vigor like no other. At the center of "GÉANTE!" is the remarkable 10-year-old krump prodigy, Adeline Cruz, who takes on the titular role with grace and determination. Raised by a village and destined to inherit its legacy, her journey unfolds amidst daring acrobatics and vibrant choreography. The narrative explores themes of responsibility, hope, and the potential for a flourishing future marked by inclusivity and respect.


The staging itself is a marvel—a colossal structure that serves as both playground and proving ground for the performers. Thirteen high-caliber artists, guided by Les 7 Doigts' signature blend of creativity and technical prowess, deliver daring and dazzling feats that push the boundaries of circus arts.  

The inclusion of animation and circus performances at the Centre Eaton on select dates adds an extra layer of enchantment to the festival experience, promising to illuminate Montreal's summer nights with a magical ambiance.  Behind the scenes, private partners such as Ivanhoe Cambridge, BDC, Québecor, and SDC Montréal centre-ville deserve commendation for their support in bringing "GÉANTE!" to life. Their collaboration has enabled this innovative production to flourish, enriching the cultural tapestry of Montreal and captivating audiences with its grandeur and imagination.  In summary, "GÉANTE!" emerges not just as a show, but as a testament to the transformative power of circus arts. It invites spectators to dream alongside a young girl whose journey embodies resilience and the potential to inspire positive change on a global scale. Montreal Complètement Cirque's 15th edition is poised to leave an indelible mark, celebrating innovation, diversity, and the timeless allure of circus magic under the open sky.

"GÉANTE!" is a free show for the whole family set in the heart of the city until July 14th. 

BARBU 
BARBU Electro Trad Cabaret! transports us back to the lively fairgrounds of late 19th and early 20th century Montreal, audiences are thrust into a world where political correctness takes a back seat to unbridled, jaw-dropping entertainment. 

Imagine a place where every act defies expectation and convention. Cirque Alfonse, hailing from the heart of Canada, unleashes a pandemonium of electrifying performances that blend traditional circus arts with a pulsating electro-trad soundtrack. From the moment the curtain rises, you are plunged into a realm where music, video projections, and mind-bending feats converge to create pure sensory overload.

At the heart of it all are the performers themselves, a fearless clan whose mastery of strength and agility is matched only by their infectious enthusiasm. Watch as they defy gravity with astonishing aerial acrobatics, display superhuman strength in feats of raw power, and tickle your funny bone with irreverent humor and audacious antics.

BARBU isn't just a show—it's a riotous celebration of eccentricity and daring. Whether it's a bearded lady defying stereotypes or a strongman bending metal with ease, each act is a testament to the troupe's unwavering commitment to pushing the boundaries of contemporary circus.

Backed by a frenetic live band, the energy never wanes as Cirque Alfonse blurs the line between chaos and choreography, leaving audiences breathless and craving more. This is not your average night at the circus; it's an adrenaline-fueled extravaganza that dares you to suspend disbelief and embrace the unexpected.

BARBU Electro Trad Cabaret! at Espace Saint-Denis is totally wild and untamed, a whirlwind of laughter, awe, and spine-tingling thrills. Step into their world, and I guarantee you'll leave exhilarated, astonished, and echoing my sentiment: I have never seen anything quite like BARBU!

The show lasts until July 14th INFO 

FINALLY...

BRIEFS FACTORY trailer

Enter the dazzling world of Briefs at Espace Saint-Denis, where every stitch of their MANIFESTO, threads together into an electrifying tapestry of performance artistry and cultural defiance.

VISIBILITY from the moment the lights ignite the stage, Briefs unfolds as a celebration of inclusivity without compromise. It's a manifesto where every glittering sequin represents a commitment to age-appropriate engagement and a steadfast rejection of anything less than basic human decency. Here, diversity isn't a token gesture but a vibrant mosaic, echoing the spirit of a 90's Benetton ad campaign with its kaleidoscope of voices and perspectives.

VIRTUOSITY reigns supreme in every act, a testament to the collective's dedication to artistic and technical brilliance. From the daring acrobatics to the nuanced storytelling, each performance pulses with a shared ethos of excellence and a dedication to a safe, collaborative environment.

SOVEREIGNTY emerges as the guiding principle, infusing each scene with sharp wit, cultural sophistication, and an unflinching realism. Briefs doesn't just entertain; it interrogates, connects, and advocates through its bold narratives and fearless performances.

And now, after a decade of global acclaim, Briefs returns with an all-new spectacle that promises to redefine cabaret. Fez Faanana, aka Shivanana, leads the charge with a bolder attitude than ever, joined by the irrepressible Quebec drag queen Barbada as guest host. Together, they weave an evening of mind-bending comedy and unspoken truths, sprinkled with enough glitter to illuminate the darkest corners of identity and sexuality.

Briefs doesn't shy away from controversy; it embraces it, using laughter and spectacle as weapons in the fight for visibility and acceptance. This isn't just a show; it's a declaration—an exhilarating manifesto brought to life with every flip, twist, and shimmy.

In a world desperate for authenticity, Briefs delivers—a provocative testament to the power of performance and the enduring resonance of living unapologetically.

The show is on until July 14th INFO

For more shows presented during the festival from many other troupes INFO

MONTRÉAL COMPLÈTEMENT CIRQUE is on until July 14th!

 LENA GHIO   

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Photos © LENA GHIO 2024


EN PISTE couronne le Lauréat du Prix Propulsion en arts du cirque du CAM 2024


 
Hugo Couturier,  Directeur des communications et des partenariats au CAMNathan Biggs Penton de Acting for Climate Montréal / Mouvement Climat Montréal et Nadia Drouin  Directrice générale d'En Piste Photo © Solène Gourlaouëne

ENGLISH translation app left

Ce 3 juillet j'ai rejoint la communauté circassienne à la TOHU pour le dévoilement du premier Prix Propulsion en art du cirque. Un choix difficile entre quatre regroupements démarqués pour leur excellence: 

“ Play Dead de People Watching présente six acrobates virtuoses dans un cirque théâtral aux chorégraphies renversantes: à des questions sensibles, Acting for Climate Montréal / Mouvement Climat Montréal répond par un cirque contemporain engagé et écoresponsable: au service de la communauté, La compagnie des autres répond avec pertinence aux fortes demandes: une prise de parole rare dans un solo circassien Scuse témoigne avec brio et courage d'une réflexion personnelle sur le conditionnement de genre. ”

Nathan Biggs Penton de 
Acting for Climate Montréal / Mouvement Climat Montréal 

“ Après avoir remercié En Piste et le Conseil d'avoir créé le Prix Propulsion et d'avoir reçu sa première édition, Nathan Biggs Penton, s'exprimant au nom du collectif, a ajouté : 

"Aujourd'hui, je suis seul, mais entouré de toute une communauté de personnes qui sont essentielles au succès de nos projets. Merci à tous ceux qui nous ont soutenus, qui croient en l'importance de notre démarche et qui créent avec nous. Depuis la création d'Acting for Climate Montréal, nous avons été soutenus et inspirés les uns par les autres, entre petites compagnies. Nous ne serions pas arrivés ici – à ce point – sans cet écosystème en expansion qui transforme la scène du cirque québécois. Même face aux coupes budgétaires actuelles dans le domaine des arts, de merveilleuses initiatives émergent et nous rendent fiers de faire partie de la communauté circassienne du Québec. L'avenir n'est pas ce qui arrive, mais ce que nous créons."

Vous pourrez voir les performances de Acting for Climate Montréal / Mouvement Climat Montréal  cet été dans différents parcs de Montréal INFOS

Stéphane Lavoie Directeur Général et de la programmation à la TOHU et Patricia Lattanzio Députée fédérale pour Saint-Michel.

Le dévoilement du Lauréat a eu lieu lors de la soirée de lancement de Montréal Complètement Cirque, un festival qui dure jusqu'au 14 juillet. Pour cette occasion,  Stéphane Lavoie Dir. Général et de la programmation à la TOHU a reçu des mains de Patricia Lattanzio Députée fédérale pour Saint-Michel un hommage de la part du Premier Ministre Justin Trudeau pour célébrer les 20 ans d'une organisation dévouée à l'amélioration de son quartier et de l'environnement en plus de la diffusion de spectacles et d' expositions inspirantes.

 LENA GHIO   

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Photos © LENA GHIO 2024






Sunday, June 30, 2024

A HOT EXHIBITION THIS SUMMER: Saints, Sinners, Lovers and Fools: Three Hundred Years of Flemish Masterworks until October 20, 2024

A detail of the Peter Paul Rubens painting A Sailor and a Woman Embracing between 1615-18. Look at the expression on that man's face. When you see this painting in person, it is so alive it takes you aback!

FRANÇAIS  app de traduction à gauche

A sensual stroll through flemish masterpieces "Saints, Sinners, Lovers and Fools" at the Montreal Museum of Fine Arts isn't your typical historical art exhibition. This meticulously curated display transcends dusty portraits and religious iconography, offering a captivating glimpse into the soul of Flemish society from 1400 to 1700.

Portrait of a Lady
Unknown Artist. This portrait
is life sized and she pops right
out of the frame. Pay attention to
the detailed work on the
embroidery and ruff collar.
The title itself hints at the exhibition's seductive power. It promises a spectrum of human experience, from the piety of saints to the folly of fools, all rendered in the rich oil paints that became a Flemish hallmark.

The curatorial journey cleverly begins with religious works. Lavish details and symbolic richness aren't merely aesthetic choices; they become windows into how Flemish citizens interacted with their faith, built communities, and secured their legacies.

As the narrative progresses, the exhibition sheds light on the 17th century's cultural and intellectual vibrancy. Paintings by Rubens and van Dyck, pulsating with emotional energy that reflects a tumultuous era, share the stage with navigational tools and maps, underlining Flanders' role as a commercial and innovative powerhouse.

The exhibition culminates in a truly immersive experience. Inspired by "Kunstkammern," the precursors to modern museums, this final section allows visitors to contemplate the evolving role of art across centuries. Through a captivating blend of paintings and artifacts, we are invited to consider how art has functioned not just as a source of beauty, but also as a tool for connection, wonder, and even social climbing.

By the end, "Saints, Sinners, Lovers and Fools" delivers not just an appreciation for Flemish artistry, but a nuanced understanding of its local and global significance. The enduring themes explored in these works resonate powerfully, reminding us of the timeless questions that continue to shape who we are. This exhibition is much more than a history lesson; it's a captivating conversation across time, leaving a lasting impression long after you exit the gallery.


The Adoration of the Magi by Peter Paul Rubens featuring a colored man in the role of a Magi. I was bedazzled by the elegant incorporation of the black person in the several featured paintings in the exhibition.


The Dark Stain: Slavery and the Art Market's Rise

The art market's boom (15th-19th centuries) coincided with a horrific period - the rise of the transatlantic slave trade. Fueled by colonialism and capitalism, Europe's growing wealth was built on the backs of millions of Africans.

Starting in 1441, Portugal initiated the trade, forcibly taking Africans for profit. By the 17th century, the Americas joined in, solidifying a system where human beings were treated as commodities. Amsterdam became a major hub, with companies like the Dutch West India Company profiting immensely.

This wasn't just a historical footnote. Slavery's legacy continues. So before modern people feel they are better than those of the past, today, nearly 50 million people are trapped in modern slavery.

In 2018, the countries with the most slaves were: India (8 million), China (3.86 million), Pakistan (3.19 million), North Korea (2.64 million), Nigeria (1.39 million), Indonesia (1.22 million), Democratic Republic of the Congo (1 million), Russia (794,000) and the Philippines (784,000). 

This number jumped in 2023In terms of the largest estimated absolute numbers though, India ranks first (11,050,000 people in modern slavery), followed by China (5,771,000), North Korea (2,696,000), Pakistan (2,349,000), Russia (1,899,000), Indonesia (1,833,000) and Nigeria (1,611,000) and 400,000 in the US plus an estimated 69, 000 in Canada. A grim reminder that economic gain can still come at a horrific human cost.

Understanding the link between slavery and capitalism is crucial. It's not just about the past; it shapes our present. We must confront this dark chapter and strive for a future where exploitation ends and human dignity prevails.

For all further information HERE

 LENA GHIO   

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Photos © LENA GHIO 2024


Credits and curatorial team


Chloé M. Pelletier 

An exhibition co-organized by the Denver Art Museum and The Phoebus Foundation, Antwerp, Belgium, in collaboration with the Montreal Museum of Fine Arts.

The exhibition is curated by Katharina Van Cauteren, Chief of Staff of The Phoebus Foundation Chancellery. The Montreal presentation is curated by Chloé M. Pelletier, Curator of European Art (before 1800) at the MMFA.